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Ideas unlimited at classic interiors

This photo is showing hall,entry to dining n kitchen .Zoola,glass works,popwork,colour combination,kitchen design r seen here

Ideas-unlimited at CLASSIC in INTERIORS

Creativity matters

Modern Classic Furniture

Featured on gaileguevara.blogspot.com/
Furniture & Interiors by ARMANI CASA
Photography by www.armanicasa.com

Classic Leather Furniture

Create your own oasis right in your home office with this colorful Glass Top Desk. The glass top and Chippendale style fret work on the modesty panel contribute to a welcomed airy atmosphere. Not only does the desk make a stylish statement, it contains a lot of usable function. The left pedestal houses two utility drawers, one file drawer with lock, and features a cord opening to control electronic items wires. The right pedestal features a laptop port at the top, two utility drawers, one file drawer with lock, and an additional cord opening. Both pedestal have refined bracket feet for a touch of elegance. Make your work day more interesting with the Glass Top Desk.

A classic look meets modern utility in the Writing Desk. The leather insert top adds a upscale look of sophistication. Use the leather top for writing on a computer as easy as you do with pen on paper. Within this traditional looking writing desk is a drop front tray for a keyboard, cord management grommets, one file drawer, and two utility drawers. Chippendale fret work at the sides and back of the desk add distinction. The slender desk legs and support frame keep the appearance of the desk sleek. Make working out of your home office more attractive with this great writing desk.

Add seating at your Writing Desk with the Upholstered Wood Frame Chair.

Strobits info: SB24 and SB600 placed in the corners of the hall and bounced from the walls. I created this image for sale on microstocks. Read my short, rticle if you want to earn some money by selling your pictures.

If you want to buy this or any other of my images
Check out My Gallery Here

Strobist info: This one was really hard to shoot. Black ceiling, dark interior, almost no ambient light. I bounced my SB24 flash from kind of white curtain on the window from the left and placed sb600 near the rear wall to lighten background a bit.

I created this image for sale on microstocks. Read my short
article if you want to earn some money by selling your pictures.

If you want to buy this or any other of my images
Check out My Gallery Here

Classic Oak Furniture

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Classic Furniture

So apparently he was banging around on this kind of dowel-based composition in lines and planes before he hit upon the Mondrian palette more typically associated with this chair.

The Marilyn Sofa, or the "Lip Chair" as it's almost inevitably known, is another awkward entry in the Student Lounge. Clearly the idea of evoking whimsy, fun, and a certain sauciness all make sense for the program at hand, and the saturated color is a hit with me and others who appreciate any attempt to play off of Knowlton's ubiquitous greyness.

It's unfortunate, then, that the thing is so useless. Its Baroque plan - curving in and out several times throughout its length - make sleeping completely absurd for all but the tiniest of architecture students. Even sprawling out to do a little afternoon reading isn't really all that viable. As for plain old sitting, forget it - the upper lip pushes into the small of your back, but in a way too irregular (it, too, is curving) to offer lumbar support.

Also, I don't personally care, but a lot of people are just put off by the lip motif generally; some other contingent doesn't mind lips, but is disturbed by the staining/dirtiness/wear-and-tear of these particular lips.

The Lounge Chair Wood actually ranks its own Wikipedia Entry; it's significant not only as the breakthrough production-ready design from the Eames studio, but also as the first complexly-curved molded plywood furniture design by anybody.

The Eameses had been working on the problem for quite some time; with Eero Saarinen, they won the MOMA Organic Furniture competition back in 1940. They ran into trouble trying to actually realize mass-producible versions of their designs. The shortages and demands of World War II thankfully drew the project to a close before it could become really embarrassing, and during the war Charles and Ray perfected a means of molding plywood (originally experimenting, in their apartment, with a contraption that used a bicycle pump to provide the needed pressure).

Designing the chair around the capabilities of the technique (rather than hoping that techniques would catch up with the design) they scrapped the original dream of a single curving piece that would accommodate both seat and back. This ambition would be eventually realized when they discovered fiberglass - but in the meantime, there was the LCW.

(For more on this story, I strongly recommend An Eames Primer by Eames Demetrios.)

So how is it as a chair? I find it supremely comfortable, surprisingly so for a wooden thing with no upholstery whatsoever. Partly it's the curvature, and partly it's the rubber "shock mount" design for attaching the back to the seat - this thing has a little bit of give to it. It is, however, ill-suited as library furniture; like many of the other items in the KSA collection, it seems intended for cocktail conversation and, well, lounging. Without armrests, and set at a height that makes resting one's elbows on a table unlikely, it's just not cut out for reading in. But just as a thing to sit in, it's one of my favorites, and I've occasionally stuck it in project renderings just to amuse myself.